HAWK THE SLAYER * * * * (1980, 90 minutes, Rated PG) Roll a d20 to save vs. cheese.
"This is the story of Heroic Deeds and the bitter struggle for the triumph of Good over Evil and of a wondrous Sword wielded by a might Hero when the Legions of Darkness stalk the land."
I think you know I didn't make that up. That would be the opening prologue, copied word for word by your intrepid reviewer as it was displayed during the opening moments of Hawk the Slayer. This opening is also narrated in a style that might have single-handedly inspired the creation of Tenacious D.
Oh yes, it's like that. Get out your magic staff and ring of protection +1, and dig in.
We open with an old king getting skewered by his son, Voltan. Despite being run through with a sword, the king hangs on long enough to talk his younger son, Hawk, through an elaborate ritual to gain ownership of the very large Mind Sword. Hawk swears to get revenge on Voltan. Okay, a few things to note here:
Aren't you kind of dooming your kid to a life of evil by naming him "Voltan"?
Despite the fact that the king is very clearly the father of both Voltan and Hawk, neither are referred to as princes at any point during the movie. Perhaps princes hadn't been invented yet?
The Mind Sword has a big fist at the end of its hilt. Insert your own crude joke here.
From there, we're off to the cheapest opening credits ever. Cheaper than in Napoleon Dynamite? Probably. The animation looks like something a stoner made during study hall, and it's all accompanied by what I can only describe as "electric flute."
After that bit of specialness, a beat-up one-handed warrior stumbles into a convent. He reports that since killing the king, Voltan has been running about with his army hacking up everyone in sight. Apparently looking to do something even more eeeeeevil, Voltan shows up to kidnap the Abbess of the convent and demand all the gold in the convent for her release (because convents were the Dark Ages version of government mints?). Capt. One Hand trudges off to the one man who can save the Abbess -- conveniently enough, that's Hawk.
Oh, and just in case the murder of his father, the ransacking of the kingdom and the kidnapping of the Abbess (for money!) wasn't enough motivation for Hawk, we also find out that Voltan killed Hawk's wife. Yes, Voltan is eeeeeeeeeeeeeeeeeevil!!
Anyway, we're treated to numerous montages of Hawk riding his horse through brooks and dry ice-infested forests, Fisty Sword in hand, as he travels about collecting a standard assortment of fantasy types: the witchy woman who sounds like she smokes three packs a day, the dim-witted giant who really likes to eat, the stoic elven archer with pointy plastic ears and the comic-relief dwarf. Many of these characters Hawk gathers via the witchy woman's Glowing Hula-Hoops of Teleportation. Because this is exactly that kind of movie.
Actually, this film seems to have a little bit of everything going on. The lifts from Star Wars are evident in the DVD's cover: Hawk is kinda dressed like "classic" Han Solo, Voltan has the whole all-black/big helmet thing going and Hawk can make his Fisty Sword fly around with his mind. Again, insert your own crude joke here.
But there's also a whole Spaghetti Western thing going on here, too. Most of the fight scenes play out just like this: some random baddies are doing something evil, the electric flute gets all The Good, the Bad and the Ugly and Hawk appears, posing awkwardly with his Fisty Sword. Seriously, Hawk holds his Fisty Sword the exact same way that a new Miss America holds her bouquet while being crowned. Hawk talks tough, then everyone stares at each other for a good minute or two. Then Hawk kills everybody.
So, are you sold on this one yet? If not, here's my closing pitch: Come to see Jack Palance chew scenery like it's part of a well-balanced diet. Be charmed by the clumsy plotting and corny dialog. But stay for the
You've already heard about the flying Fisty Sword and the Glowing Hula-Hoops of Teleportation, but I haven't mentioned the Confetti of Confusion, the Florescent Super Balls of Fear, or my favorite, the Day-Glo Green Silly String of Immobilization. The stop-action speed fighting (best used in the Most Menacing Slicing of Bread Ever) is just icing on the cake.
Looking for a second opinion? Check out what Andrew had to say at Badmovies.org. Or stay right here and enjoy this spoiller-filled highlight clip: